This American film looks a lot like the Italian Giallo films. I'm told it is one of "The Video Nasties." The opening scene is filled with female nudity and then a dead babe floating in the East River in New York City. The corpse of the former babe is handcuffed and bruised and this will be the beginning. Vicious with some very imaginative and excruciating kills, 1982's "The Killing Hour" (aka "The Clairvoyant"), directed by Armand Mastroianni, and music by Ennio Morricone, is our feature today.
A hooker/porn-star (Olivia Negron) is found naked, handcuffed, and floating in the river. Pretty art-student Virna (Elizabeth Kemp) is a bit upset as she just happened to draw a sketch of the murder and the floating body having never laid eyes on the porn-star or the event. Yep, she has clairvoyance. Uh oh, two more killings. A college swimmer handcuffed below the water line at the pool and a construction worker handcuffed to a live wire. Three handcuff murders in one day...and Virna drew them all as they happened. Now for the worst part, the detective assigned to the case, Larry (Norman Parker), is a stand-up comedian. None of his jokes are funny, like most stand-ups. Eventually he connects with Virna and falls in love with her.
Also falling in love with Virna, and no, she is not that attractive, is TV host Mac (Perry King). He wants Virna on his TV show to draw her sketches. Uh oh...another murder, in an elevator shaft. Are they connected? Larry really does like Virna, but Mac merely wants to exploit her. Still, she plays both men off one another. Even worse for her, more sketches are pumped out that suggest the victims had some connection and that she herself might be in danger. Now the killer keeps murdering in very imaginative ways with the handcuffs. Virna realizes she is on the run and should trust no one.
Can Virna trust Mac or Larry? Will she eventually be able to draw the face of the killer? Will Larry be able to make anyone laugh at his side-gig, or will he just be another Woody Allen without the glitter? Ominous and at times erotic, this gritty horror yarn should have been dubbed to make it seem even more like Giallo. For a terrific and vicious mystery, see "The Killing Hour."