Slow Burn, Debuts on RadTV exclusively on February 14

It is completed and slated for you to see beginning on Valentine's Day.  A love story? Okay, you could say that. First however, "Slow Burn" is a pioneering effort by moviemaker B. Harrison Smith. This is the first ever feature film starring a Hollywood horror icon.  In other words...real movie people made it, not some schmuck like me using Grok.  Lauren-Marie Taylor ("Friday the 13th Part 2") is very prominent in this film. What does a total AI film look like, when done well? In unscientific terms, within a few minutes you have forgotten you are watching an AI film and see what is on the screen the same way you watch terrific horror films. 

The action lines regarding AI in moviemaking are vicious, though unfounded. You have heard them...no more human talent needed.  SAG and other unions will be gone. 90% of Hollywood crews will be laid off.  The human element in films will be down the drain.  In all fairness, this last one already happens in a lot of films anyway. Now remember, we have had CGI for over 50 years and film crews still go to the Grand Canyon, Niagara Falls, and Petra to film movies. B. Harrison Smith will tell you that his film "...challenges misconceptions about AI cinema, presenting the technology not as a shortcut but as a new artistic tool wielded with traditional filmmaking discipline." 

More importantly, when schmucks like us see "Slow Burn," what do we see?  Do we see a terrific horror film?  Or, do we see jagged characters that kind of look natural, with a too smooth tone of the voice, and rhythmic blinking of the eyes every seven seconds?  I've seen "Slow Burn."  It is a terrific horror film...and I stress horror.  Painstaking effort has been put into it to make sure the choppy amateur AI you may see on some YouTube channels is not what we have here. We have a damsel in great peril that is quite the babe...in fact she sort of has a young Denise Richards look.  We have Michael, a good looking psycho-type, who displays uncomfortable narcissism and deviant social attributes.  We meet Ms. Taylor's character, Donna. Donna runs a greenhouse and we like her but figure there is more to her character that just a friend of Michael's. A few minutes into the film you will put your magnifying glass away, which you hoped to find uneven lines, or mis-fallen shadows, and you will enjoy this work.  The uneven lines and shadows that don't fall right have all been AI'd out of existence.

Michael, a college student, is awkward and not into having friends or social interaction. He is also obsessed with Riley, a dame out of his league. She dates the hunk Chad. Michael's obsession rules the day and now he takes aggressive action that does not go quite the way he planned...with very horrific and unnatural consequences. You'll see. You will enter Michael's fantasy world, and however alluring it is to Michael, will scare the pants off you.  You will wince at Riley's fate.  The beautiful will fall so helplessly to the evil, or so it will seem.  What happens when evil eats evil?  You'll see, and it won't give you the warm and fuzzies.

Mr. Smith advised me that "Unlike viral AI 'content,' Slow Burn was developed through a rigorous, production-driven process. Characters were designed, rendered, and built as consistent models, environments were constructed with continuity in mind, and scenes were executed with intentional camera language, blocking, and performance direction. Every frame reflects authored choices traditionally associated with live-action filmmaking." In other words, AI displaced no one.  Writers, sound guys, continuity and set people, editors, etc. were still needed to create this film. 

We should also mention more about Ms. Taylor...she is involved in this AI film as an actress and not a "digital asset."  Her talents went to drawing out the character of Donna, enhancing Donna's humanity, and appropriately showing her fear, revulsion, and caring. If Mr. Smith, at any time, presented Donna as anything she wasn't, Ms. Taylor was there to correct him. This film collaborated with the actors and actresses, with no intention of replacing them. Lauren wanted to explore new creative avenues with AI,” Smith adds. “Because of our shared horror pedigrees, we saw this as an opportunity to send a message to the industry: AI doesn't have to erase actors, writers, or directors. Used correctly, it can enhance storytelling and expand what's possible.”

Mr. Smith adds, "Lauren wanted to explore new creative avenues with AI. Because of our shared horror pedigrees, we saw this as an opportunity to send a message to the industry: AI doesn't have to erase actors, writers, or directors. Used correctly, it can enhance storytelling and expand what's possible.”

Download RadTV now and get ready to watch "Slow Burn" in a couple of weeks.  Be warned, this is a horror film with no humor and resting places.  It builds in intensity, will make you uncomfortable, delve into the taboo, make you wince and avert your eyes, shriek at some jump scares, and shock you.  Even if you are not interested in AI, you will want to see this horror film.

Hider in the House, The Lunatic and the Babe

You'll never guess!  Gary Busey plays a completely unhinged lunatic in our film today.  I know, you saw Gary Busey's name and expected to see a movie about a Supreme Court justice, or a docu-drama on King Charles III.  Nope, a certifiable crazy. Actually...these aren't my descriptions, it really is his role. Oh, even better, at least for you guys, the very attractive Mimi Rogers plays his sultry object of desire. With Mimi Rogers in great peril, Gary Busey shines in a role made for him. Our feature today is 1989's "Hider in the House," directed by Matthew Patrick.

Many years ago Tom (Busey) was tortured, tormented, and burned by his abusive lunatic parents. Then, as a child, he murdered them and has been in an insane asylum ever since. Now in his 30s, budget cuts necessitate he go free...bad idea. Tom wants to live in a nice house and sees one under construction in a ritzy neighborhood. He sneaks in and builds himself a secret room in the attic. Then the owners move in, a great looking family. Julie (Rogers) and Phil (Michael McKean) and their two cute kids. Tom rigs the intercom system so he can hear the goings on in every room. He even hears Phil being short with the lovely Julie, even denying her passion when she needs it. He is able to sneak out in the middle of the night or when everyone is out of the house for food and amusement. Poor Tom, when the family dog gets too close, he murders it.  When the pest guy gets too close, he murders him.

Now Tom finds out Phil has a slut on the side and what he does is classic.  You'll see, but Phil did have it coming.  Julie is devastated and kicks her husband out leaving her alone and vulnerable. Tom, pretending to be a good neighbor charms Julie. Being vulnerable, Julie asks few questions to Tom.  Bad judgment, as more will die horribly, and Tom sees himself moving into Phil's spot and becoming Julie's mate.  Julie begins suspecting.  Phil keeps calling and sending flowers to apologize, but Tom makes sure Julie never gets the messages or flowers. Then Tom decides to rev it up a bit and become the dominant man Julie needs.  What follows if horrific.

Mimi Rogers is beautiful in this and we wince every time Tom looks at her through his hiding places.  Julie even skinny dips, to Tom's delight, and will even sneak in the bathroom while Julie is showering. Is Julie doomed?  Is the rule about skinny-dipping and dying horribly in effect here? Is Julie too beautiful to die horribly at the hands of a lunatic?  Enjoy Mimi Rogers in a very alluring performance as a damsel in much danger, and enjoy Gary Busey in a role that is perfect for him.  See "Hider in the House" and enjoy a good suburban horror story.

The Whale God, The Japanese Moby Dick

Ephesians 4:32 tells us to "...be kind and compassionate to one another, forgiving each other, just as in Christ God forgave you." The Christian concept of forgiveness asks a lot...and demands it. Just how hard is this?  To what extreme must we go to forgive? To the nth degree, actually and if you don't believe me, read the Bible and watch a Japanese film from 1962, "The Whale God," directed by Tokuzo Tanaka. Surprisingly, the film is laced with Christian themes from the Gospels, and directly gives us a Japanese island community steeped heavily in the Christian faith. It should also be noted, Herman Melville's "Moby Dick" was steeped heavily in these themes as well.  Which came first?  I think Melville wrote the book way before "The Whale God" came out.

The Whale God is a huge whale that mauls through Japanese whalers like crap through a goose. Whalers are either killed by it or driven mad for the rest of their lives. Killing the thing is an obsession of the Catholic community on this small Japanese fishing island.  Shaki (Kojiro Hongo) has seen the grief as his grandfather, dad, and brother, on three different whaling excursions, were murdered by the beast. His life's goal is revenge...or vengeance. The island Elder, Kujiranomoshi (Takashi Shimura) has promised his wealth, land, and babe daughter Toya (Kyoko Enami) to the whaler who kills the beast. Enter the brute stranger, Kishu (Shintaro Katsu). He arrives with the intention of killing the whale, taking the wealth of the village, raping the snot out of Toya, and selling her to a brothel. Really, I'm not kidding. 

Shaki wants to murder the beast to avenge his ancestors. He does not want the Elder's spoils or his babe daughter. He loves Ei (Shiho Fujimura). Uh oh...Kishu rapes Ei and impregnates her. Nine months later, Ei is an unwed mother. Shaki, who does not know Kishu is the one who raped her, marries Ei and becomes the baby's father, giving Ei some honor back. Now the beast is back and Kishu and Shaki man harpoon boats and go hunting for the monster. What happens next is something that won't make sense from a worldly point of view. Through death there will be life, but will Shaki find this out first hand? The final 20 minutes of this film are thrilling, gory, and almost insane...and after it is over, you will have seen and heard a very important sermon.

Will Shaki ever find out that it was Kishu that raped Ei?  Why won't Shaki allow Ei to tell him who the fiend was who raped her? Does Shaki already know?  This is a heavy one and some of the imagery is haunting, divine, and crude...and the final scenes are ones that entire books can be written on.  See a Japanese monster film that is not about Godzilla, Gamera, Rodan, or Monster Zero, and really be educated about what the Bible tells us about forgiveness. "The Whale God," an unlikely film to come from Japan, but it does.  

Madhouse, Insane Twin Torments Her Sister

We have an Italian one, a Giallo, if you must. Shot in Savannah, this Italian shocker has babes in much peril, usually dying horribly.  Supposedly this film was so shocking that most European countries banned it. We should be careful with these claims. Many U.S. films, actors, and actresses claimed to have been banned, though none were.  Same in Europe. Still, the claim draws interest.  The myth of McCarthy-ism has perpetuated these claims, though finding a movie that was pulled or not made because of the so-called "Red Scare" is hard to do.  Europe is the same...but today's feature may be considered inappropriately exploitive, or some may say thoughtful.  Let us look at 1981's "Madhouse," directed by Ovidio G. Assonitis.

The sultry Julia's (Patricia Mickey) 25th birthday is coming up. She fears this day.  Growing up, her insane twin sister Mary (Allison Biggers), tortured her on this day.  She tortured her with needles, knives, a killer dog, and rocks. Eventually Mary was then put in an insane asylum.  Julia is a good soul, and her life is given to teaching deaf children.  Her BF is the hunk Sam, a doctor. Father James (Dennis Robertson) is a priest, and also is Julia's uncle.  He begs Julia to go visit her sister in the loony-bin.  After much coaxing, Julia agrees and the visit is horrific...Mary is quite insane and homicidal. Uh oh...Mary escapes and people in Julia's life begin dying horribly.  Oh, Mary's killer dog seems to be back and it mauls to death one of Julia's deaf child students...a difficult scene to watch. The kills are all gory and ominous...no one is murdered quickly.

Julia is horrified that Mary and the dog seem to be back to torment and torture her.  Fr. James tells Julia that she has nothing to fear, Mary loves her.  The priest then gives a sermon on the sin of neglecting one own sister. The bodies begin piling up and even a teacher at Julia's school, the very sultry blonde Helen (Morgan Most) will be turned un-sultry by the jaws of the killer dog...so sad.  Julia begs her BF to stay with her, but being an important doctor, he cannot.  See what's going on? A 2026 audience will figure out where this is going.

Is Mary the one murdering everyone in Julia's life?  Is Father James, and others like him 500 years ago, the reason why Martin Luther posted 95 Theses on the door of the church (insane priests would have been Theses 47)?  Will the sultry Julia stay sultry as the end credits roll?  This Giallo is filled with gore, insanity, and babes in peril.  For some twisted horror, with alluring babe characters, and complete insaniacs as villains, see "Madhouse." 

Nightmare, A Woman's Descent Into Madness

A woman going mad!  A woman going homicidal! A woman tortured by her own twisted imagination!  Which woman do I speak of? Good question.  You divorced guys out there have an answer...any woman! Our film today kind of affirms that. There will be insanity. There will be bloody murder.  There will be big knives, deceit, torment, and jealousy. Oh, we have a Hammer Film today.  Let us look at 1964's "Nightmare," directed by Freddie Francis.

Many years ago Janet's mom murdered Janet's dad on her sixth birthday. Little Janet saw the whole thing and her mom was then confined to an insane asylum. Now Janet (Jennie Linden) is 17 and at an exclusive boarding school. Her nightmares, generated by the memory of her dad's murder, send her into a screaming rage every night, so she is sent home. Her caring teacher, Mary (Brenda Bruce) brings her home and meets some very caring servants at the mansion Janet is from. She is looked over by her guardian, the handsome lawyer Henry (David Knight). By the way, he is married. Janet's doctor wants to confine her to an asylum but Henry won't go for that. Uh oh...indications are the 17 year old girl and the adult lawyer/guardian might be romantically involved. To keep Janet out of the asylum, Henry hires the beautiful nurse Grace (Moira Raymond) to watch over her.

Uh oh, again. Janet gets more and more unhinged and sees a mysterious woman with a scarred face prowling through the halls of the mansion at night. Even worse, Janet does get more insane and picks up a knife and...well, here's where it all goes weird. Janet loses it, as if she ever had any sanity. Her fate is one in which everyone had tried to avoid. Uh oh...movie isn't even half over. Madness?  Homicide?  Torment? That hasn't even really started yet. What happened to Janet? You'll see.  She got off easy compared to the fate of other women later in this film...you'll see.

Just what is the handsome, married lawyer Henry thinking by having an affair with a 17-year-old insane girl?  The pretty nurse, Grace...is she in mortal peril?  Just who is the mysterious scar-faced woman in white who prowls the mansion at night trying to drive Janet over the edge? You will see the twists coming and you will be right...but then the entire second half of the film occurs...and then you'll be shocked. See the Hammer film "Nightmare" and realize what can happen when a woman goes mad.

The Red Tide Massacre, Info-Babe vs. Red Tide Monster

Today we have the magnum opus of Susan Elle. Perhaps this isn't saying much, but she is matched up with Michael Pare and does go mano y mano with a hideous swamp creature born out of mutated algae. Take that, Scarlett Johansson! She'll even whack the thing with a frying pan a couple of times. Anyway, Info-Babes are always annoying and we always love to see them shredded, even in movies, but Miss Elle is kind of cute, so we do desire her to prevail against the monstrosity that emerges from the swamps. Our feature today is a film that demanded to be made, 2022's "The Red Tide Massacre," directed by John A. Russo.

Al (Rich Sands) is a cop killer who escapes from prison and is chased through the Florida swamps by the sheriff's department. Sheriff Fuller (Pare) shoots him a bunch and Al falls into the swamp which is laced with red tide. What is red tide? This movie won't tell you, so never mind. Yep, the red tide turns him into a twisted version of The Creature from the Black Lagoon. Rio Lee (Elle) is on the story and annoys Sheriff Fuller, even though the bait shop owner/deputy son of the sheriff, Tommy (Sam Schweikert) falls in love with her. The two romance as Tommy dumps his hot former GF, a marine biologist scientist, Kara (Gina Vitori).  Okay, Al, now a hideous creature, shreds babes in bikinis, their boyfriends, babes in short shorts, their boyfriends, county workers...well, let's juts say he murders a massive amount of Floridians in this one.

Rio Lee tries to get info for the newscast from Sheriff Fuller...who just puts her off.  The TV reporterette may have an annoying voice, but she is cute and Tommy and her get quite close as the creature kills lifeguards, wealthy couples in hot tubs...and just about anyone who lives in Florida. Sheriff Fuller continues his efforts to kill the creature.  Oh, to make matters more difficult, an old crazy guy (Duane Whitaker) is perpetuating a skunk ape (Bigfoot) prank on the community, which only throws the sheriff and Rio off track. No matter, the phony skunk ape will have an opportunity to meet the newest creature in the Florida everglades. 

Will Rio and Tommy engage in pre-marital sex, resulting in a catfight with Kara, and perhaps some skinny-dipping that lures the creature? Will Michael Pare wrestle Rio Lee away from his son, as he has more earning power?  Is there an Emmy for Rio Lee for her hard hitting reporting on skunk apes, red tide, and newly formed creatures borne out of mutant algae?  This is a fun one and if you loved those old made for Syfy-TV movies, you will love "The Red Tide Massacre."   

The Jolly Monkey, That Annoying Monkey Toy Reeks Terror

It is time we delve into the magnum opus of Courtney Fulk. I know what you're thinking, but perish the thought, even a babe who shines in a film by The Asylum is entitled to have a magnum opus.  This is no small feat, as our feature today is heavy on the gory kills, weirdness, and the taboo. To shine in a film like that is not easy, and Miss Fulk's allure keeps our eyes on her through the entire picture. Okay, the nemesis is a weird looking monkey slasher, but this is merely a metaphor for the Biden Administration, no doubt. Let us look at 2025's "The Jolly Monkey," directed by Ryan Ebert. 

The Jolly Monkey Motel, located in the middle of nowhere. The proprietors are a sweet old, but very psycho couple, Walter and Carolyn (Patrick Labyorteoux and Kathleen Turner). When a sweet family, with a sweet little girl (Aria Surrec) stop for the night, they are murdered and cut up, including the sweet little girl, Charlie. Fast forward 40 years, and the proprietors are dead and their daughters and their families converge on The Jolly Monkey Motel to...well, Debra (Jane Hajduk) wants to restore it and reopen it. Linda (Lisa Cole) wants to bulldoze it and sell the land. Debra's daughter Jenny (Fulk) and son Marshall (Neirin Winter) try to support mom but are creeped out by the place. Jenny finds old newspaper clippings about missing families back in the day and eventually will discover they all just happened to stay at the motel.

Linda an her family are eager to bulldoze the place but wouldn't you know it are one by one murdered by a big monkey who also cuts off their faces. Happens. Now Debra's family is on the run from a big monkey with bladed weapons. Uh oh, again, the ghost of that little girl, Charlie, seems to be trying to help Jenny and to tell her something.  Jenny is able to uncover the mystery of what went on when her grandparents ran the hotel and does not know how to tell Debra that her parents were serial killers. To add to the creepiness, those monkey toys with the cymbals and shit-eating grins are all over the place and all go spastic when someone talks about tearing down the motel. Jenny will  be put through the ringer and even end up tied up and at the mercy of the monkey. We get a sense early on who the killer is and it is quite the taboo plot twist.

Will the nubile Jenny have what it takes to save her family? Is the Jolly Monkey Motel somewhere where we can earn Hilton points?  Will the sweet and pure Jenny have to turn into a killer herself to save herself and her family? This is a creepy one and Miss Fulk's performance is dramatic and action-hero like. For a really creepy take on those old really creepy toys with banging cymbals, see "The Jolly Monkey."