Is she a whore? Yes! Is she a slut? Yes! Is she a b***h? Yes. But we like her 'cause she's a Euro-Babe! Sadly, we know what happens to sultry Euro-Babes in Giallo films. The lovely Giovanna Ralli plays the whore in today's film, and we really pull for her, but will that be enough to keep her alive as the end credits roll? In these Italian Giallo films, the beautiful die so horribly. Oh, by the way, those three descriptors above are thrown at her freely by every other character in this movie...but they do apply. Our movie today is the Italian film, set in London, 1971's "Cold Eyes of Fear," directed by Enzo G. Castellari.
Opening scene, a sultry whore (Karin Schubert) admires herself and feels herself up while clad in kinky black lingerie. A killer walks in with a knife, chases her around, cuts her lingerie off, and goes about raping her. But wait! The Euro-Babe grabs the knife and kills her rapist. Relevant to the film? No! But who cares? How can this scene, right out of "The English Patient," not be relevant to this movie? We call that gratuitous and prurient. Anyway, the handsome lawyer Peter (Gianni Garko) steals a whore, Anna (Ralli), from an old bald guy. Anna is happy and Peter wants sex. Peter brings Anna to his uncle's mansion for drinks and pre-marital sex. Uh oh...an intruder is already there, Quill (Julian Mateos), and he has already murdered the butler.
Now Quill holds Anna and Peter at knifepoint. The uncle is Judge Bedell (Fernando Rey), and he has already called to tell Peter to lose the whore. Quill waits and Welt (Frank Wolf) arrives. Welt is a homicidal lunatic, too, and the judge sentenced him to 15 years...15 years ago. Now out, and feeling as if he's been unfairly treated by the justice system, he plans on murdering Judge Bedell, proving his innocence and engage in some misogyny against Anna the whore. Now, to stay alive, Peter and Anna will have to work together to outwit and defeat these two psychos. Peter has intelligence, and Anna the whore has beauty and seduction. Anna will be slapped, punched, and slapped some more. Welt and Quill will become more unhinged. Peter begins to realize his uncle, the judge, may have been corrupted when handing down Welt's sentence 15 years ago.
Will Anna survive until the end credits? Will Quill or Welt take sexual liberties with the dame they regard as a mere whore? Is there a chance that the so-called whore, or slut, emerges as the great hero and restores justice to the system, and decimates two psychos? This is an erotic and deviant Giallo thriller, and as usual, will not be the feel-good film of the year. See "Cold Eyes of Fear" and cheer for a whore.




















