Be all you can be! Or, be all you can be with the injection from a mad-scientist. A little bit of this top secret serum and you too can be the ultimate killing machine. Sure, you will go totally psycho...but just think of dead enemy troops littering a desert battlefield. Hence 2006's "UKM: The Ultimate Killing Machine." After all...isn't war madness? Okay, in "The Bridge on the River Kwai," war is madness...but in "Apocalypse Now," its horror. Combine these two great war films and we have a 3.1/10 rated on IMDB gem.
Four desperate enlistees don't bode well for America's readiness. Waylon (Mac Fyfe) is a petty criminal. Buddy (Stephen Arbuckle) is a welfare loser. Carrie (Erin Mackinnon) is a runaway. Zoe (Victoria Nestorowicz) is a crack addict. The U.S. Army isolates these winners immediately and sends them to a top secret research facility where they will be..."altered." Major Blevins (Michael Madsen) heads the project. Two mad scientists will commence the experiment, Dr. Stroheim (John Evans) and the sultry Lena (Deanna Dezmari). The scientists will inject the four schmucks and turn them from losers to...well...ultimate killing machines.
Oh yeah...they won't be the first test subjects. Sgt Dobbs (Simon Northwood), a decorated veteran suffering from PTSD has already been injected. Dobbs then turned into a killing machine who rips heads and faces off army privates at this secret facility. As the kids arrive, Dobbs escapes and starts his homicidal rampage. The kids begin showing results immediately and look like they also may be becoming homicidal killing machines. As Dobbs continues his bloody rampage, the four former-losers also escape and prowl the facility's corridors looking for heads to rip off. Now the army men and scientists in the facility are in danger. But wait, Dobbs has a crush on Lena...will this mean she will be impregnated by the beast...or crushed.
What will happen when Dobbs meets his four new comrades in arms? Does Major Blevins and the mad-scientists have any doomsday plan for the facility to be enacted if the test subjects rebel? Are the five monsters at the facility a fair representation of the U.S. military's continued war on the losers of life's lotteries? Okay, that last question was out there...I admit. Directed by David Mitchell, enjoy a monsters-out-of-control-at-an-underground-lab thriller in "UKM: The Ultimate Killing Machine."
Zisi Emporium for B Movies
Thursday, February 6, 2020
Tuesday, February 4, 2020
The Shiver of the Vampires, Pseudo-Porn Vampire Flick
Kuelan Herce and Marie-Pierre Castel may be the real stars of this 1971 Jean Rollin flick. The two beauties play servants to a family of vampires. Under their spell, the scantily clad, and often nude, vixens frolic nude together, jump into bed nude with men, feel each other up, and fantasize about real men. Under the spell of two former vampire hunters, turned vampires, they serve loyally, readying tombs for vampire rites, sometimes giving their own blood, and allowing vampires to grope them. Alas, these two playful muses take us through a very erotic French vampire tale.
Newlyweds Isle (Sandra Julien) and the milquetoast Antoine (Jean-Marie Durand) are off on their honeymoon as they stop at the castle of Isle's cousins. Uh oh...the cousins are dead and the castle is occupied only by the two aforementioned babe servants. Uh oh again, they're not really dead...they are merely former Van Helsing types who are now vampires. The couple stay at the castle and Isle shows no interest in sex with her husband. Enter Isolde (Dominique). Nude a lot and emerging from grandfather clocks and chimneys, the lesbian vampire moves Isle to take all her clothes off and let the vampire feel her up ad bite her. The two cousins emerge (Michael Delahaye and Jacques Robiolles). These two weirdos love groping the servants and desire Isle to join their vampire family.
Isolde scolds the two male vampires letting them know they are inferior to her. The duo responds by ripping off her robe and raping her...she doesn't seem to hold this against them. Now Antoine, realizing Isle is under their spell, must fight for his bride. The vampires seem to have the upper hand but Antoine makes the sultry servants an offer they may not be able to refuse, Oh yeah, cousin Isabelle (Nicole Nancel)...she'll emerge as a blonde beauty (not a vampire) and immediately be offed by some of the weirdest breast carnage you will ever see.
Will Antoine be able to co-opt the loyalties of the the sultry and naughty servants and turn the tables on the vampires? Will the two naughty servants stop feeling each other up and turn their attentions to the neglected Antoine? How about Isle, will she emerge from the vampire spell and be able to fight for her life? This is a naughty one that appeals to the prurient interests of those who like their horror erotic. The two servants steal the show and give this titillating film a playful feel.
Newlyweds Isle (Sandra Julien) and the milquetoast Antoine (Jean-Marie Durand) are off on their honeymoon as they stop at the castle of Isle's cousins. Uh oh...the cousins are dead and the castle is occupied only by the two aforementioned babe servants. Uh oh again, they're not really dead...they are merely former Van Helsing types who are now vampires. The couple stay at the castle and Isle shows no interest in sex with her husband. Enter Isolde (Dominique). Nude a lot and emerging from grandfather clocks and chimneys, the lesbian vampire moves Isle to take all her clothes off and let the vampire feel her up ad bite her. The two cousins emerge (Michael Delahaye and Jacques Robiolles). These two weirdos love groping the servants and desire Isle to join their vampire family.
Isolde scolds the two male vampires letting them know they are inferior to her. The duo responds by ripping off her robe and raping her...she doesn't seem to hold this against them. Now Antoine, realizing Isle is under their spell, must fight for his bride. The vampires seem to have the upper hand but Antoine makes the sultry servants an offer they may not be able to refuse, Oh yeah, cousin Isabelle (Nicole Nancel)...she'll emerge as a blonde beauty (not a vampire) and immediately be offed by some of the weirdest breast carnage you will ever see.
Will Antoine be able to co-opt the loyalties of the the sultry and naughty servants and turn the tables on the vampires? Will the two naughty servants stop feeling each other up and turn their attentions to the neglected Antoine? How about Isle, will she emerge from the vampire spell and be able to fight for her life? This is a naughty one that appeals to the prurient interests of those who like their horror erotic. The two servants steal the show and give this titillating film a playful feel.
Sunday, February 2, 2020
The Bride, 'Til Death Do Us Part
This 1973, you know is going to be a good one. Sure, I'll post this review of "The Bride" under that title. However, it is also known as "The House That Cried Murder," and "Last House on Massacre Street." Perfect drive-in titles. Unsettling, to say the least, this one will make you squirm and perhaps offer a stern warning to screen your potential spouse carefully. One never knows when homicidal mania or masochism will rear their ugly heads...especially in marriage.
Okay, Barbara (Robin Strasser) is so in love with David (Arthur Roberts). When we meet them they are frolicking through the fields as corny love music plays. She brings him to the house she is having built for them. They intend to get married. Uh oh...we sense he isn't as in love with her as she is with him. Barbara's dad (John Beal) doesn't like David, he says "He stinks!" They get married anyway and at the wedding ceremony she catches him about to have extra-marital sex with his old flame, Helen (Iva Jean Saraceni).Barbara flips out, grabs some big shears and tries to carve up David. He's bloodied and her dress is stained blood...but no one dies. She shrieks like a banshee and drives off, only to go missing for the next two weeks.
In those two weeks, Helen and David move in together and live as husband and wife...though they aren't. Barbara's dad is also David's boss, who claims he doesn't know why Barbara drove off. No one saw this display except Barbara. Dad appears to know more than he is letting on and hints at Barbara's criminal insanity. Weird phone calls then unsettle David and Helen then some bloody reminders appear signaling Barbara is close by and not happy at what she is watching. As Barbara, or someone (or something) goes after Helen, both cheaters are now horrified. Barbara is unmerciful and lures David to her unfinished house and...well...it is pretty icky what happens next.
Blood will spatter, axes will be swung, corpses will...well, you'll see. Just where did Barbara go for two weeks and what is her plan for revenge? Will the happy-homewrecker Helen escape Barbara's wrath? Just what does Barbara's dad know and why hasn't he fired David from his firm? The ending is shocking and perhaps for adulterers and breakers of marital vows, the fate that awaits is worse than death. Directed by Jean-Marie Pelissie, "The Bride" will cause you to squirm and maybe hold your spouse a little tighter for fear that...well, you'll see.
Okay, Barbara (Robin Strasser) is so in love with David (Arthur Roberts). When we meet them they are frolicking through the fields as corny love music plays. She brings him to the house she is having built for them. They intend to get married. Uh oh...we sense he isn't as in love with her as she is with him. Barbara's dad (John Beal) doesn't like David, he says "He stinks!" They get married anyway and at the wedding ceremony she catches him about to have extra-marital sex with his old flame, Helen (Iva Jean Saraceni).Barbara flips out, grabs some big shears and tries to carve up David. He's bloodied and her dress is stained blood...but no one dies. She shrieks like a banshee and drives off, only to go missing for the next two weeks.
In those two weeks, Helen and David move in together and live as husband and wife...though they aren't. Barbara's dad is also David's boss, who claims he doesn't know why Barbara drove off. No one saw this display except Barbara. Dad appears to know more than he is letting on and hints at Barbara's criminal insanity. Weird phone calls then unsettle David and Helen then some bloody reminders appear signaling Barbara is close by and not happy at what she is watching. As Barbara, or someone (or something) goes after Helen, both cheaters are now horrified. Barbara is unmerciful and lures David to her unfinished house and...well...it is pretty icky what happens next.
Blood will spatter, axes will be swung, corpses will...well, you'll see. Just where did Barbara go for two weeks and what is her plan for revenge? Will the happy-homewrecker Helen escape Barbara's wrath? Just what does Barbara's dad know and why hasn't he fired David from his firm? The ending is shocking and perhaps for adulterers and breakers of marital vows, the fate that awaits is worse than death. Directed by Jean-Marie Pelissie, "The Bride" will cause you to squirm and maybe hold your spouse a little tighter for fear that...well, you'll see.
Saturday, February 1, 2020
Play. Pause. Kill., Text Mayhem
The 21st Century! Everything is pretty much instant. With a few clicks on your phone you can have all your Christmas shopping done. Even better, a dull evening at home on a Saturday night can be taken care of with a few texts, to other peeps who also text. The era of instant gratification, sadly, doesn't apply to everything. Or does it? Hence we look at David Teixeira's 14 minute horror short, "Play. Pause. Kill."
The beautiful Julie (Anasthasia Czajka) writes screenplays. At the moment her brain isn't communicating with her pen and the words aren't flowing. She is nubile, a bit insecure, and taking a brave step as she picks up her smart phone. What is this brave step? She begins texting Henry (Lucas Dutilleul). Her willingness to let her guard down alarms us as she seems to allow Henry to intimidate her into inviting himself over. What does she know about Henry? Not much, but he promises to bring over wine and a horror film in order to turn her inspiration on again.
In need of inspiration to finish her screen play, Julie awaits her mysterious guest. He arrives, perhaps, a little too quickly for comfort. Now he's in. He's handsome in a forbidding way, almost taboo. He has no trouble taking control in someone else's home. Now Julie may seem to be in a bit of danger...but is it real danger, or more of the kinky nature? The wine is opened and the seduction and danger flow with that red wine. Uh oh...all is not what it seems and the horror that unfolds will have you squirming.
Just what are Henry's intentions? Does the nubile Julie have a prayer of regaining control of the moment in her own home? What inspiration will be provided, and to who, during this twisted evening? David Teixeira does a masterful job yanking us into a horrific whirlpool in which our sympathies and impressions are teased and manipulated. Also, you gals will will be so attracted to Mr. Dutilleul and his forbidden performance. You guys will swoon over the sweetness of Ms. Czajka. For an alluring and shocking short horror film, enjoy "Play. Pause. Kill."
The beautiful Julie (Anasthasia Czajka) writes screenplays. At the moment her brain isn't communicating with her pen and the words aren't flowing. She is nubile, a bit insecure, and taking a brave step as she picks up her smart phone. What is this brave step? She begins texting Henry (Lucas Dutilleul). Her willingness to let her guard down alarms us as she seems to allow Henry to intimidate her into inviting himself over. What does she know about Henry? Not much, but he promises to bring over wine and a horror film in order to turn her inspiration on again.
In need of inspiration to finish her screen play, Julie awaits her mysterious guest. He arrives, perhaps, a little too quickly for comfort. Now he's in. He's handsome in a forbidding way, almost taboo. He has no trouble taking control in someone else's home. Now Julie may seem to be in a bit of danger...but is it real danger, or more of the kinky nature? The wine is opened and the seduction and danger flow with that red wine. Uh oh...all is not what it seems and the horror that unfolds will have you squirming.
Just what are Henry's intentions? Does the nubile Julie have a prayer of regaining control of the moment in her own home? What inspiration will be provided, and to who, during this twisted evening? David Teixeira does a masterful job yanking us into a horrific whirlpool in which our sympathies and impressions are teased and manipulated. Also, you gals will will be so attracted to Mr. Dutilleul and his forbidden performance. You guys will swoon over the sweetness of Ms. Czajka. For an alluring and shocking short horror film, enjoy "Play. Pause. Kill."
Friday, January 31, 2020
Lovely But Deadly, Cheerleaders Cat-Fight in Chopped Liver
Gloria (Pamela Jean Bryant), a sultry blonde cheerleader clad in a toga attacks pretty brunette cheerleader Lovely (Lucinda Dooling) and the ensuing cat-fight will conclude on a table smeared with chopped liver. A fitting scene given that the earlier cat-fight, in which both participated, where the entire cheerleading squad showed their talents in a massive locker room cat-fight ended in a draw. In fairness to 1981's "Lovely But Deadly," I have over-simplified this scene. To be fair I should mention creamed herring and caviar were also on that table.
This hard hitting crime drama begins as the bikini clad Lovely watches her brother die as a result of drug abuse. This high school cheerleader, who is also a karate-ninja, swears vengeance on the drug pushers and suppliers responsible for the plethora of junk at her high school. {GRATUITOUS HOT TUB MAKE-OUT SCENE IN BIKINI}. Lovely, who wields an axe well (don't ask) has a clean-cut boyfriend who is a rock singer. No time for him, as she tracks down high school supplier, seduces him at a disco, kicks the daylights out of him, and pours drugs down his throat...he won't survive. {CHEERLEADER STRIPPING IN LOCKER ROOM}. At school Lovely seems so clean cut, but with her killing skills she continues pursuing drug dealers. {ALL BABE KARATE ARMY VS LONGSHOREMEN}.
Lovely then seduces the drug dealing football captain (Rick Moser) and gets invited to a ritzy party where the aforementioned cat-fight occurs.{GRATUITOUS CHEERLEADER POOL PARTY SCENE}. Between scratching, pulling the hair, and humiliating Gloria, fishnet stocking clad Lovely meets the drug bigwigs and gathers proof of their involvement. Now with her martial arts skills and sex-appeal, she seduces the cartel leader (Richard Herd). {CHEERLEADER FLIPPED IN CAT-FIGHT}. She's capable but young, and after giving out brutal punishment, Lovely will be pummeled and taken prisoner.{CHEERLEADER FIGHTS SWORD WIELDING CLASSMATES} Now Lovely faces execution by the drug thugs and resorts to her powers of seduction which will earn her more beatings.
Will Lovely and her seduction prowess be able to overcome her vicious captors? {MOTOR-BOAT DEMOLITION DERBY}. Will the humiliated and toga clad cheerleader captain Gloria be able to mount a counter-attack and get even with Lovely? Gratuitous and action-packed, this film will surely please. However noble of an anti-drug message this film contains, it never goes more than a few minutes before reminding us that this is a nifty exploitation work. {CHEERLEADERS SMOTHERED IN HORS D'OEUVRES}. Cheerleaders in bikinis, short skirts, or with clothes ripped off usually trumps the "just say no" message here. Directed by David Sheldon, "Lovely But Deadly" is sure to give you a bigger lift than the smack on the streets.
This hard hitting crime drama begins as the bikini clad Lovely watches her brother die as a result of drug abuse. This high school cheerleader, who is also a karate-ninja, swears vengeance on the drug pushers and suppliers responsible for the plethora of junk at her high school. {GRATUITOUS HOT TUB MAKE-OUT SCENE IN BIKINI}. Lovely, who wields an axe well (don't ask) has a clean-cut boyfriend who is a rock singer. No time for him, as she tracks down high school supplier, seduces him at a disco, kicks the daylights out of him, and pours drugs down his throat...he won't survive. {CHEERLEADER STRIPPING IN LOCKER ROOM}. At school Lovely seems so clean cut, but with her killing skills she continues pursuing drug dealers. {ALL BABE KARATE ARMY VS LONGSHOREMEN}.
Lovely then seduces the drug dealing football captain (Rick Moser) and gets invited to a ritzy party where the aforementioned cat-fight occurs.{GRATUITOUS CHEERLEADER POOL PARTY SCENE}. Between scratching, pulling the hair, and humiliating Gloria, fishnet stocking clad Lovely meets the drug bigwigs and gathers proof of their involvement. Now with her martial arts skills and sex-appeal, she seduces the cartel leader (Richard Herd). {CHEERLEADER FLIPPED IN CAT-FIGHT}. She's capable but young, and after giving out brutal punishment, Lovely will be pummeled and taken prisoner.{CHEERLEADER FIGHTS SWORD WIELDING CLASSMATES} Now Lovely faces execution by the drug thugs and resorts to her powers of seduction which will earn her more beatings.
Will Lovely and her seduction prowess be able to overcome her vicious captors? {MOTOR-BOAT DEMOLITION DERBY}. Will the humiliated and toga clad cheerleader captain Gloria be able to mount a counter-attack and get even with Lovely? Gratuitous and action-packed, this film will surely please. However noble of an anti-drug message this film contains, it never goes more than a few minutes before reminding us that this is a nifty exploitation work. {CHEERLEADERS SMOTHERED IN HORS D'OEUVRES}. Cheerleaders in bikinis, short skirts, or with clothes ripped off usually trumps the "just say no" message here. Directed by David Sheldon, "Lovely But Deadly" is sure to give you a bigger lift than the smack on the streets.
Wednesday, January 29, 2020
Derelict, Dark Descent Into Hopelessness
Oh yeah...dark and depressing. No humor...no cheer...no comfort. If you like your horror dark, literally and figuratively, 2017's "Derelict" is your film. Of course, whenever the killer is wearing a gas-mask...well...horror fans will want to pay attention. This Australian film will have no koala bears or kangaroo babies...just darkness and a gas-mask clad psycho.
Okay,the pretty Grace (Amy Celisano) and hunk Cory (Taran Dunn) sneak into an abandoned power plant located way off the beaten path. They probably are looking for an opportunity for pre-marital sex...or are they? No matter, their fates will be quite sad. Fast forward, three grouchy blokes hike hours to reach this plant. But why? Andre (Christopher Sansoni) knows why but he isn't letting his mates in on his little secret. His mates? The grouchy Rowan (James Broadhurst) and the wimpy Michael (Tristan Balz). They reach the behemoth structure and immediately explore. That is, they think that's what they're doing...Andre knows better, but he isn't letting on.
Immediately we see they are being followed into the cavernous derelict structure. As Andre leads them down into sub-levels, their torches begin to weaken. Then he appears to them, a menacing fiend with a hook wearing a gas-mask. He chases them down further into the belly of the derelict...and our grouchy trio begins losing it. As the flashlights begin dying, booby traps abound and the masked man begins attacking. Uh oh...there is someone else sown there, Liam (Justin Burford). He's been lost down there for days and he was searching for the same thing Andre is looking for. Madness begins setting in and Michael begins deteriorating physically after being pricked by a used needle. The darkness closes in on these blokes and so does our masked fiend.
Just what is Andre looking for? Who exactly is our gas-masked fiend and why is he wielding a hook? What is the secret of this derelict power-plant in the middle of nowhere in the land Down Under? Not the feel good film of 2017, "Derelict" is a grim study of the rapid disintegration of some very grouchy and unlikable Aussies. For a downer of a claustrophobic horror film, enjoy "Derelict," directed by Christian Broadhurst.
Okay,the pretty Grace (Amy Celisano) and hunk Cory (Taran Dunn) sneak into an abandoned power plant located way off the beaten path. They probably are looking for an opportunity for pre-marital sex...or are they? No matter, their fates will be quite sad. Fast forward, three grouchy blokes hike hours to reach this plant. But why? Andre (Christopher Sansoni) knows why but he isn't letting his mates in on his little secret. His mates? The grouchy Rowan (James Broadhurst) and the wimpy Michael (Tristan Balz). They reach the behemoth structure and immediately explore. That is, they think that's what they're doing...Andre knows better, but he isn't letting on.
Immediately we see they are being followed into the cavernous derelict structure. As Andre leads them down into sub-levels, their torches begin to weaken. Then he appears to them, a menacing fiend with a hook wearing a gas-mask. He chases them down further into the belly of the derelict...and our grouchy trio begins losing it. As the flashlights begin dying, booby traps abound and the masked man begins attacking. Uh oh...there is someone else sown there, Liam (Justin Burford). He's been lost down there for days and he was searching for the same thing Andre is looking for. Madness begins setting in and Michael begins deteriorating physically after being pricked by a used needle. The darkness closes in on these blokes and so does our masked fiend.
Just what is Andre looking for? Who exactly is our gas-masked fiend and why is he wielding a hook? What is the secret of this derelict power-plant in the middle of nowhere in the land Down Under? Not the feel good film of 2017, "Derelict" is a grim study of the rapid disintegration of some very grouchy and unlikable Aussies. For a downer of a claustrophobic horror film, enjoy "Derelict," directed by Christian Broadhurst.
Monday, January 27, 2020
Rottweiler, Cyborg Canine
Almost 30 years after "The Omen" scared the pants off us, a film from Spain again throws a menacing Rottweiler at us. I know, all you dog lovers are yelling that these beasts are smart and gentle...maybe so...but they looks so mean. The Rottweiler community won't be happy at their depiction in this 2004 horror/sci-fi yarn, "Rottweiler." This is a good one that isn't necessarily saying that man is good, dog is bad.
Spain in the future (2018, actually) is a tyrannical dictatorship ruled by Kufard (Paul Naschy) the Sadist. After the coast guard seizes a boat carrying illegal refugees, Dante (William Miller) is arrested. Kufard shows up and rapes Dante's gal, Ula (Irene Montala). Dante isn't happy about this because...and get this...Ula seemed to enjoy the rape. Okay, never mind that...Dante will escape and Kufard will send his cyborg Rottweiler after him. As the monster dog rips through other prisoners, Dante runs. Dante's goal is to find his way back to the coast and collect Ula. As Dante runs through Spain, the rottweiler thing eats innocent Spaniard schmucks. Then the rape scene..
A naked Dante comes across an isolated farmhouse. A mom (Pauline Galvez) and her young daughter live there alone. Mom sees Dante and orders him into her bordello looking bedroom where she rapes him over and over at gunpoint and knife point. I repeat...she rapes him over and over again. The rottweiler thing arrives and the rapist/mom won't fare well. Dante is again on the run and the dog monster pursues. Uh oh...Kufard joins the search in his helicopter...but where is Ula. Dante, with the dog close behind, will look for Ula in Spain's red-light district. The monster dog will have so much fun here.
Should it matter that Ula enjoyed the rape...after all, didn't Queen Victoria advise, "Just lay back and think of Spain!"? Ah...England...same thing! Are cyborg rottweilers and their razor teeth the only relevant inventions that await us in 2018? Looking back two years, maybe so. Is Kufard's Spain an accurate vision of the Basque separatists? This is a loud and ambitious film and Paul Naschy is terrific in one of his last films (he died in 2019). For some neat dog horror that will surely offend the rottweiler owner community (who cares?), see "Rottweiler," directed by Brian Yuzna.
Spain in the future (2018, actually) is a tyrannical dictatorship ruled by Kufard (Paul Naschy) the Sadist. After the coast guard seizes a boat carrying illegal refugees, Dante (William Miller) is arrested. Kufard shows up and rapes Dante's gal, Ula (Irene Montala). Dante isn't happy about this because...and get this...Ula seemed to enjoy the rape. Okay, never mind that...Dante will escape and Kufard will send his cyborg Rottweiler after him. As the monster dog rips through other prisoners, Dante runs. Dante's goal is to find his way back to the coast and collect Ula. As Dante runs through Spain, the rottweiler thing eats innocent Spaniard schmucks. Then the rape scene..
A naked Dante comes across an isolated farmhouse. A mom (Pauline Galvez) and her young daughter live there alone. Mom sees Dante and orders him into her bordello looking bedroom where she rapes him over and over at gunpoint and knife point. I repeat...she rapes him over and over again. The rottweiler thing arrives and the rapist/mom won't fare well. Dante is again on the run and the dog monster pursues. Uh oh...Kufard joins the search in his helicopter...but where is Ula. Dante, with the dog close behind, will look for Ula in Spain's red-light district. The monster dog will have so much fun here.
Should it matter that Ula enjoyed the rape...after all, didn't Queen Victoria advise, "Just lay back and think of Spain!"? Ah...England...same thing! Are cyborg rottweilers and their razor teeth the only relevant inventions that await us in 2018? Looking back two years, maybe so. Is Kufard's Spain an accurate vision of the Basque separatists? This is a loud and ambitious film and Paul Naschy is terrific in one of his last films (he died in 2019). For some neat dog horror that will surely offend the rottweiler owner community (who cares?), see "Rottweiler," directed by Brian Yuzna.
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